
Our Discussion with Academy Award-Nominated Animation Director Timothy Reckart
In this episode, Timothy Reckart tells us what it’s like to be nominated for an Academy Award, and then not have a job the next day.
In this episode, Timothy Reckart tells us what it’s like to be nominated for an Academy Award, and then not have a job the next day.
When you work on set, you’re supposed to break for lunch after 6 hours of shooting. Some people break before that, if they got to
Shannon writes in about becoming a script supervisor: I love the work you do, just LOVE. Right now I’m a proud PA but like all
C.J. tweeted at me: @TheAnonymousPA Hey do film producers require film school? Think Jerry Bruckenheimer. should I go to college? — C.J Davis (@lifeischess027) July
Most of the time, you’re not going to deal with more than a handful of extras in any one scene. That’s because extras are people,
If you follow me on Twitter, you might have heard some of my frustrations with background actors on a small shoot I was helping out
Dax asks: I’ve experienced several different production meetings. Two seem to be the most common. The first AD reads through the script in scene order
Pam commented on yesterday’s post: Eli Roth was a production assistant who made connections and found success as a writer/director/producer. Bill Hader was a production
An anonymous reader writes in: Recently, the 2nd AD kinda said something inappropriate and made me feel uncomfortable. I kinda just told him I wasn’t
“One more.” Never, ever, ever believe a director when he says this. It is never, ever, ever true. Usually, he’ll say this when he realizes
Today, we’re introducing a new weekly feature, an Anonymous Production Assistant comic!
Some days, I’ll read a script that’s inspiringly good. “This is how I want to write,” I think to myself. “This well-crafted story, these original
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