
How to Choose Your Credit
Larry writes in about choosing the proper credit: I just worked on a show as a PA and the director said I could have an
Larry writes in about choosing the proper credit: I just worked on a show as a PA and the director said I could have an
Deborah writes in about getting hired as local crew: I emailed the 1st AD of a tv show that will be filming in [my city]
Madeline writes in: I have a lot of questions and they relate to DGA so I apologise if they aren’t the right questions for this
Ryan writes in: I’ve seen you answer questions from people asking if they’re too young to be a PA, but I’ve only seen one person
Today’s guest is a 2nd AD who got into the DGA the hard way– by earning his days as a set PA. It is not
An anonymous reader writes in: Recently, the 2nd AD kinda said something inappropriate and made me feel uncomfortable. I kinda just told him I wasn’t
Every morning, the office receives a in . And every morning, the production report is wrong. A PR, for those who don’t know, is a
Jay asks: I’m starting my first set PA job on a big-time scripted cable TV drama. I was just told that I’m the one who
I see, through your blog, that it is typically the AD or 2nd AD who hires set PA’s. My question is how do I get
Every once in a while, when I’m delivering stuff to set, the crew starts rolling before I get off the stage, and I’m stuck until
One of our 2nd ADs just did one of the funniest things I’ve ever seen. We’re shooting on location, and we have those “Filming in
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