How to Choose Your Credit
1 Comment
Larry writes in about choosing the proper credit: I just worked on a show as a PA and the director said I could have an
2nd AD
Getting Hired as Local Crew
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Deborah writes in about getting hired as local crew: I emailed the 1st AD of a tv show that will be filming in [my city]
Joining the DGA
5 Comments
Madeline writes in: I have a lot of questions and they relate to DGA so I apologise if they aren’t the right questions for this
How Long Is This Gonna Take
9 Comments
Ryan writes in: I’ve seen you answer questions from people asking if they’re too young to be a PA, but I’ve only seen one person
2nd AD Anthony Robinson
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Today’s guest is a 2nd AD who got into the DGA the hard way– by earning his days as a set PA. It is not
Awkward Conversation
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An anonymous reader writes in: Recently, the 2nd AD kinda said something inappropriate and made me feel uncomfortable. I kinda just told him I wasn’t
Sympathy for the Departments
4 Comments
Every morning, the office receives a in . And every morning, the production report is wrong. A PR, for those who don’t know, is a
Extra Wrangling
11 Comments
Jay asks: I’m starting my first set PA job on a big-time scripted cable TV drama. I was just told that I’m the one who
You’re Not On the List… Sorry
3 Comments
I see, through your blog, that it is typically the AD or 2nd AD who hires set PA’s. My question is how do I get
Something’s Wrong
5 Comments
Every once in a while, when I’m delivering stuff to set, the crew starts rolling before I get off the stage, and I’m stuck until
Crackin’ Wise
3 Comments
One of our 2nd ADs just did one of the funniest things I’ve ever seen. We’re shooting on location, and we have those “Filming in
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