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Tag Archives: production office
Everyone is going nuts right now because NBC fired Dan Harmon from his show, COMMUNITY. I’m not allowed to voice my opinion in real life, because friends of mine work on that show and because I’m friends-in-law with Dan. So … Continue reading
Sometimes, a PA task requires you to go into another room and work all by yourself. Prepping wrap gifts and proofreading the script and making ID badges have all sent me to production office exile.
I could not – in a … Continue reading
As my unemployment comes to a temporary respite, I was thinking about a phrase I’ve heard a lot lately:
Expect a call in the next day or two.
Usually, it’s a friend of mine who calls to tell me about a job … Continue reading
On my last show, I was bumped up to Production Secretary during wrap. The bump was largely nominal (although I did also receive a raise), since I was performing essentially the same duties I had already been performing. As we … Continue reading
I’ve spent my fair share of time in production offices. From sea to shining sea. Well… from Brentwood to Burbank. And in all of those offices, I’ve experienced the same emotion on my first day: Nervousness.
There’s no good reason for … Continue reading
I’ve talked before about PA rate in a blog post appropriately titled… “PA Rate.” Everything there still applies, but I wanted to talk for a moment about negotiating for a higher rate.
On every PA interview I’ve been on, the coordinator … Continue reading
The standard “goodbye” on a film set or production office is “See you on the next one.” It’s not as harsh as goodbye. It’s a little more definitive than a simple see you later. It acknowledges that this is the … Continue reading
On almost every show I’ve been on, someone has remarked during production that we’ve been allotted an ungodly amount of time for wrap. You’ll hear, “Can you believe the studio is giving us five weeks for wrap? What are we … Continue reading
I’ve talked before about Coordinators 411, which – as you know – is a Google group that includes all of the production coordinators, APOCs, secretaries, and eager PAs working in Hollywood today. It’s a great resource when you need to … Continue reading