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Tag Archives: production coordinator
First impressions are important; they go a long way towards determining whether you land the job. But last impressions are almost as important; they determine whether you get the next job.
People are busy. They’re not going to remember every little … Continue reading
Sorry, no Crew Call episode today. We conducted an interview, but the recording got messed up.1 Instead, here’s a regular ol’ blog post.
Lana writes in:
I currently work at a camera rental house and am constantly in communication with production coordinators … Continue reading
A New Orleans-based coordinator responded to Thursday’s post, and I felt it was worth calling everyone’s attention to:
10. I mostly rent PAs cars. When I ask for a personal vehicle to be used, you either get mileage or gas paid … Continue reading
It’s the last week to buy your TAPA T-shirt! Wear it to the next TAPArty.
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Last week, I wrote a post titled Let Me Get Back to You.
Reader Sam (an assistant production supervisor, so you should listen to him)1 … Continue reading
There’s certain key phrases every PA should know: “Yes.” (Except when the answer is No.) “It won’t happen again.” “It’s Thursday. Yes, payroll checks are coming today.”
Here’s another one to add to your quiver: “I’ll look into that.”
Just like your … Continue reading
Nash writes in:
I have been considering paying for a subscription to the Production Alert service. I just wanted to know if you thought it was worth it for someone looking to get more PA work?
I’ve never found a job through … Continue reading
Every morning, the office receives a in . And every morning, the production report is wrong.
A PR, for those who don’t know, is a bizarro call sheet. Instead of telling you what you’re going to do tomorrow, it tells you … Continue reading
Every boss wants you to be proactive, to take care of things without checking with them every five minutes, to figure things out for yourself.
Except, of course, when they don’t.
Every once in awhile, I run into a situation like the … Continue reading
Jackie writes in:
Any advice on how best to get the contact info for a production coordinator of a specific show?
Generally, it’s a know-someone-who-knows-someone kind of deal.
Think about it. If you have something that a lot of people want (a job … Continue reading