Shooting Location Change
ES writes in: I’ve got a question about saying “yes” and then finding out location. I live outside SF and agreed to a gig that
ES writes in: I’ve got a question about saying “yes” and then finding out location. I live outside SF and agreed to a gig that
Unless you work on a multicam show, you’ll probably spend some time shooting on location. If you work in the office, this means printing maps
Joe, who is healthier than either you or me, writes in: I’ve worked as a PA, as an AD, and Location Assistant, which has all
In today’s episode, Nathan Gendzier tells us all about location management, from aesthetic considerations to logistic requirements. At the end of the episode, Nathan also
A job that comes up more often than you might think– making direction signs. Most production offices have some sort of conference room, which is
Reader Andrew writes in: There’s a line on the latest that says “company move.” Why would this be in the schedule? Wouldn’t moving the production
Brett asks: What’s a good line to give someone during lock up and they’ve just asked what authority you have to keep them from walking
Just about every time I post a new joblist, someone emails or tweets me, “Hey, TAPA, are all of these jobs for LA?” or something
You don’t ever want a show filming in your neighborhood, or worse, your own apartment building. You will find out EXACTLY what kind of area
In case you don’t read the comments, I thought it best to reprint Nathan’s comment on my previous post: Location Managers (and ALM’s) never hire the Set
Ken Levine recently wrote a post about Eliza Dushku not swimming in his pool. A location scout from Dollhouse wanted to shoot at his place,
On one end of the spectrum, you have the camera department. On the other, craft services. (Or “,” as they are affectionately known by everyone
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